Foundation of a Legend

Legends touts Sean Bean’s return to television and uses his notorious habit of dying in his various projects as hype for the show. The hash tags for the show? #dontkillseanbean

This is a stroke of genius and allows TNT to cash of Game of Thrones by directly referencing to being beheading in their promotional material. It engages fans and makes them invested in the show’s main character. Don’t kill Sean Bean!

zap-legends-season-1-premiere-pilot-photos-201-006How does the pilot live up to the wonderful hype and social media engagement? It’s a little under whelming. Pilots often are because they have to set up for multiple arcs and give you back ground. Legends sets the basic foundation without too much information. We learn Martin is an undercover FBI agent and he has an ex-wife and child. His world is then rocked when someone tells him that he is not who he thinks he is; that his undercover life has completely taken over his real life.

This is where the meat of the story gets interesting though the idea isn’t delved into too deeply. Legends (or their undercover egos) aren’t really explained. I feel like it’s much more than just an uncover identity and see some very Dollhouse-like aspects popping up in the FBI’s program. But the show is vague (I am hoping intentionally vague).

The pilot does help you connect to the character past the original Sean Bean base. Martin wears every man “Lincoln Dittman” who joins a terrorist militia because everything in his life has gone to crap. Martin is easily able to spin his story on the fly and adapt to surrounding making him a kind of super spy even though many of his coworkers don’t like him. This includes the female lead.

Alli Larter plays Crystal an exlover, current coworker who has trouble working with Martin. He goes off script often and will disappear from contact when he goes deep undercover. She is also concerned because he failed all but one psychological exam to be fit for duty. That one he passed? It claimed he was the best candidate for this kind of job.

The writers have no problem finding a way to sexy up Larter. Though she is a gorgeous woman and I am sure the male fans were excited, I felt like it demeaned her role as operative and as a professional woman. Hopefully, the show can create in her character a beautiful, forceful woman without too much gratuitous T&A.

Legends has lots of potential especially as the show expands into Martin’s various personalities and how they bleed into each other and his “real” life.  I look forward to seeing how the next few episodes unfold.

A Second Visit to Silent Hill Turns to Hell

Silent Hill Revelation 3D
Contains Spoilers

The genre of video game movies has always had a torrid past. Sometime decent films are made (Mortal Kombat, Resident Evil), but the majority of them are just horrid. One of the best adaptations was the original Silent Hill. Created by people who played the video games either before or during the filming process, it was a labor of love that brought a video game world to life. While it took some liberties with the original game concept, the beauty of the landscape, the casting, and shot for shot sequences from the first game make it a true adventure in Silent Hill.

I had high hopes for the second movie installment Revelation 3D, but it was an ill-conceived mash-up of the games and poorly thought out new ideas. The movie is schizophrenic: it goes off on its own story but pays homage to so many ways to the games. Only gamers would get the significance of the one red shoe in the hotel or the fact that one of Heather’s other names was Mary. But the story goes off course convoluting the story of Silent Hill 3 and taking on a life of its own.

Silent Hill Revelation tells the story of Heather, the teenage version of the Sharon in the first movie. Her and her father now named Harry, live a gypsy life style moving often and changing their names. Heather thinks it’s because Harry killed a man; she has no idea she is on the run from a cult. This cult isn’t some Jim Jones group of wackos; their God is real and has trapped the members in Hell on Earth. This hell differs for each visitor shaped by their own sins and fears. When her father is kidnapped, Heather and one of her fellow high school students head back to Silent Hill to rescue him.

Robbie the Rabbit and Heather Mason

At its core the plot mirrors that of the third game. Heather is found by a private detective who was hired by Claudia to bring her back into the fold. She uses Harry to drag Heather back in. But the plot similarities end there. The private investigator Douglass is no longer her companion. The film writers have warped the Samael worshipper Vincent into Claudia’s son and pawn. Leonard is actually humanoid (with a wonderful performance by Malcolm McDowell). Harry doesn’t die. The list goes on and on. For a Silent Hill fan, this is a farce, turning beloved characters into something new and obscene (pyramid head being beat up by another creature? Please). Silent Hill Revelation is the bastard child of Hollywood and gaming.Let me take a moment to complain about Vincent. As my favorite character in the third game, I was dismayed to see how his character was warped. He was no longer the bookish scholar whose talk indirectly stated that people saw Silent Hill differently, but a high school student sent by Claudia into the real to retrieve Heather. While Kit Harrington did well with what he was working with, the character is a sham to any one who knows the character. Unlike Cybil (who the casting department took seriously and cast Laurie Holden perfectly), he is the most disappointing character adaptation in the series. I would have accepted three actors to play Vincent: Jackson Rathbone, Matthew Gray Gubler, or Cillian Murphy. At least Harrington has good hair.

There are some merits. Most of the casting is pretty spot on. Douglas’s voice is great, and Heather is perfect. (I wish I could tell you more about Carrie-Ann Moss as Claudia, but she was only in for about ten minutes.) The 3D is fun and adds to scares to the creature arracks. Robbie the Rabbit is insanely creepy. The music is either directly from the games or created by Akira Yamaoka himself. The town of Silent Hill is still beautiful and very much reminiscent of the game, and with the music, is haunting. But the movie doesn’t spend much time in Silent Hill itself. A valid complaint of many of the game, it is a fatal flaw of the movie.

The second fatal flaw is that this movie leaves behind everything that made the first movie good. The movie relies too often on heavy CG and many of the creatures lose the organic look of the first movie. While CG has to be used in a movie like this, part of the scariness in the games is how real everything looked. The first movie understood this perfectly. The current installment also focuses more on the bloodiness and shock value. Cooking people alive, cutting off arms and fingers, and the sexual assault of a mannequin are in your face and disturbing instead of psychologically disturbing. It seems odd to make that complaint about Silent Hill which has a history of disturbing images. But it’s never been about gore, and all physical reactions are from a sense of psychological dread. Revelation instead relies on cheap scares.

Is this a good movie on its own? I can’t tell you. As a devoted fan, I have yet to emotionally remove myself from this project. It will take another viewing to decide the merits of it as a stand alone film. Though I fear, even trying to watch Revelation as a separate entity, the movie will not fare much better.

But the end did leave me happy. SPOILERS: Harry goes to look for Rose ala Silent Hill 2, Travis Grady picks Heather up to take them out of town, and we see Murphy Pendelton’s prison bus head in. For the first time, I truly felt embedded in Silent Hill.  If the rest of the movie could have been this spot on, it could have been as good as the first.

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