Playing with Time

Doctor Strange

Marvel continues to add characters to its ever growing character pool. But Doctor Strange reaches past space, and reality and pulls in something spiritual.

Stephen Strange is annoying jerk who is a genius with medical injuries. When his arrogance break his body he must find a way to return to level of perfection he once was. He travels vast distances thinking he will be magically healed but he learns from The Ancient One about how to manipulate space and reality. Strange starts to see that is an integral part into the survival of humanity especially when a former students steals spells about affecting time, the only taboo to these people have. Along with the few survivors of his dojo, he must save the world from being absorbed into a dark dimensions.tilda-swinton-benedict-cumberbatch

Doctor Strange is a lot like Deadpool in the fact that it is highly overrated by critics. It has a decent story but it fails to really delve into any true motivations and character development. While Benedict Cumberbatch plays a great intellectual, he is no action hero. The movie works because The Ancient One, played marvelously by Tilda Swinton kicks, major ass and is truly the action star of the film. Mads Mikkelsen works well with the action but he can’t keep his accent straight. I’m not sure why they didn’t just let him speak in his normal voice.

Doctor Strange is up in your face about changing time and realities. Critics love these overly CGI sequences saying it’s visually beautiful. But halfway into the movie, it spends more time trying to dazzle us with CGI instead of the story. It starts to do what I had feared Inception would do by letting special effects over take the story. The good news is that by the end, sequences start to find a good balance between spectral and meaning. Strange ends strong after a sagging middle.

Strange adds a metaphysical layer to the Marvel universe but it needs tweaking to truly break unto the cerebral.

 

 

 

 Arrival

 Arrival is cerebral and doesn’t depend on the typical alien bang, bang shot ’em up to carry the story. It’s the actual idea of using an alien language to communicate with the aliens that propels the story

Louise Banks (Amy Adams) lives alone with wine and memories but when an alien spacecraft lands, she is asked to help unravel the mystery of their language. With the help of a team of scientist including Ian Donnely (Jeremy Renner), she must decode the alien’s purpose for coming to Earth. Their language is not like the human language at all so the team must not only translate the language they must learn the vocabulary all while world military leaders breathe down their neck.

arrival-mit-jeremy-renner-und-amy-adamsArrival is more subtle with its time manipulation than Doctor Strange. Louise is lost in her own personal time loop and each memory she recalls has direct connection with something said or done in the present. By the end of the movie, each scene makes sense and is it tied (almost) neatly with a bow. Plus the conclusion packs an emotional wallop.

Arrival also acts as a modern day fable about global community. The movie looks at the violence and fear that breaks out when countries start keeping scientific knowledge from each other. The answer lies in working together to solve, not just the mystery of the aliens, but also the issue that plaque humanity.

Arrival is well written, well directed and well acted. It’s a quality movie film that makes you think and gets your emotions flowing.

Home Away From Home

This latest book adaption is great fun and a classic Tim Burton piece. I had wanted to read Miss Peregrine’s Home for Peculiar Children  by Ransom Riggs since I hear of it. I read the first two chapters and then promptly lost it; I was so sad! So I am unable to tell you how close it is to the book. But that’s fine because I love this whimsical film in its own right.

After Jake’s grandfather dies, he discovers clues to a mystery that spans space and time. Following an address from a post card sent to his grandfather, Jake finds Miss Peregrine and her Home for Peculiar Children. As he learns about the residents and their unusual abilities, he also learns about the dark side of being peculiar. His friends are trapped in a time loop to keep them safe from the Hallows, a malicious enemy who kills peculiars for everlasting humanity. Jake is the key to their survival but can he make the sacrifices required of him?1280_miss_peregrines_home_for_peculiar_children_eva_green

The story follows the children with the titular Peregrine taking a back seat to their story. This is a coming of age tale about a group of children who never age. Asa Butterfield manages to make Jake a real person (so much more than he ever did for Ender but that’s another thing entirely). Ella Purnell with gorgeous Targaryen hair leads the group with love and respect as best an older sister good. But this doesn’t mean the adults don’t make their mark. Eva Green, Samuel Jackson, Rupert Everett, Judi Dench, Allison Janey and Terence Stamp all add to the world with character with characters as varied and unusual as the children. In fact, I have decided that Jackson does his best work as a villain.

The film is classic Burton. Dark but funny. Serious but sweet. HIs as his signature style wraps around the peculiar children and their world. His visual palate is perfect partner for the world based on trick and creepy photography. The films deliver exactly what I had imagined from reading the two chapters of the book.

Miss Peregrine’s Home for Peculiar Children is classic Burton and deserves a spot in your DVD collection. It’s a fantastical story that will be fun to relive over and over.

Crime Legend

Tom Hardy is the king of films. He easily moves between block buster and independent movies trying new things and taking roles that interest him. He doesn’t play the Hollywood games but still managed to get nominated for an Academy Award. Hardy is more than just a pretty face or some eccentric that other actors shun; he is amazingly talented and incredibly versatile.

Legend is a crime thriller based on the lives of the Kray twins and their organized crime in East London during the 50’s and 60’s.Told in the voice of Frances Shea, who would become Reggie’s wife, the movie chronicles their relationship, the relationship of the two brothers, and the many crimes the twins commit.

He has played comic book characters, battled a dystopian future without much dialogue, and proved that you can enjoy a movie featuring just one man driving a car. Often the movies themselves cannot live up to Hardy’s performance but they are worth viewing to watch this amazing man sharpen his craft. Legend may only skim the surface of the plot, but Hardy dives deep into these characters proving that he is a master of his craft. Both of his twins are very different and you almost wouldn’t believe they were the same person. They had their own voice, their own walk and their own way to reacting to others.

Unfortunately, this is one of the movies doesn’t live up to his performance. Like Child 44 and The Regnant, these films fail in their story telling and Hardy is the best part of the movie (except for The Reverent; the cinematography gives Hardy a run for his money). Legend doesn’t delve deep into the Kray brother. It seems to gloss over their emotions and true motivations. The majority of characters fall flat as they aren’t written with enough depth for the actors to work with these actors include the Doctor himself Chris Eccleston and the up and coming Taron Egerton). The Twin’s story seems to be a truly thought provoking story but the script only skitters across the surface.

If you are renting a Tom Hardy movie this weekend, I encourage you to go The Drop, probably Hardy’s most underrated movie.

Summer Movie Swing Part 1

Now You See Me 2

The trailer wasn’t strong for this second installment causing the movie to seem more spectacle than heist, but the film itself it’s actually a pretty good follow-up to its predecessor.

10NOWYOUSEE-master768A year after the original heist, The Horsemen are stalling for time, waiting for the right time to reappear after their original heist (sans one member who they just write off). Atlas is anxious to get back into the world even going behind Dylan’s back to talk to The Eye on his own. He is ecstatic when he receives a new mission: take down Owen Case and his all-seeing technology. But all does not go along their well thought out plan so they must out to trick the men who first tricked them.

The trailer captured some the biggest showy moments but the movie is more than just spectacle. There is character growth as each character shows them to be human and not just show men. The plot delves into the back story of Dylan, the almost mythical character that helps the team in the first film. The audience learns why magic is so important to him and his involvement with The Eye

The humor adds a great layer keeping things from becoming melodramatic. These moments are some of the best as tension is relieved through this humor for a great balance in mood. It’s a fun movie and worth the ticket price.

The Conjuring 2

Movies like The Conjuring intrigue me. I like things that are based on actual events but they often disappoint because the movies embellish. I have found that real life if often more scary than the clichés used in horror films. While the first movie was enjoyable, the second movie tries to up the ante but really just makes a spectacle of it.

In England, a girl is possessed by a ghost of a man that died at their home. Levitationhttps-%2F%2Fblueprint-api-production.s3.amazonaws.com%2Fuploads%2Fstory%2Fthumbnail%2F12071%2FThe-Conjuring-2, teleportation and telekinetic events terrorize the poor family. The Warrens are called in to investigate before the church will perform an exorcism. But Lorraine brings personal baggage into the case keeping answers veiled.

The Conjuring isn’t scary unless you are awake at two in the clock in the morning and are envisioning the nun’s face next to yours. The movie depends on clichés of scary faces, creepy voices, and standard horror fare. While it is not gory (a plus), there isn’t much to distinguish this movie from the many that have come before it. While the first one kept afloat by great casting, this installment does not; it feels like a B movie peddled by Hollywood.

The one thing I did enjoy was the way the writers spun the Amityville Horror and the Enfield Poltergeist. T used hey used Lorraine to explain the portion of the cases that were documented hoaxes .The movie uses Lorraine’s personal issues with a spirit to explain why she feels the spirit is at both places. This allows the Warrens to have some credibility after backing the mockery that was Amityville. (While I know Amityville was faked as a publicity stunt, there is still a picture that was taken in that house that haunts me. I’m sure there are emotions from the family murder that hang in the air at that house.) But otherwise this movie is a dud.

X-Men Apocalypse

The third in the story of the younger X-men turns out to be a lot better than was anticipated. Overshadowing and making fun of X-Men 3, this story follows ten years after the events portrayed in Days of Future Past. Mystique is now a hero, Magneto has a family and Xavier’s school is full of students. But when the First Mutant is revived, the world changes for all whether on the side of good or evil.

x-men-apocalypseThe movie does have some problems. The love story of Scott and Jean is shoved down our throats from the beginning. Its makes the love story artificial and staged. The movie also depends too much on the two starlets who producers consider hot right now. Jennifer Lawrence is a great actress but her character has evolved from the comics to make her a central character only because Lawrence won an Oscar and draws in crowds. The tale of her and Erick is repeated over and over, and it’s boring. The addition of Sophie Turner does nothing for the movie. High off her role as an annoying (but now fan loved) Sansa Stark, she is cast as Jean Grey but brings nothing to the characters and gives the same stilted performance she gives in Game of Thrones. The movie finally remembers that it the relationship between Erik and Xavier that truly propel these line of stories and that’s where the best acting and most interesting arcs lie.

But there are a lot of things the film gets right including the relationship between Xavier and Moira, and Erik’s desire to be a normal person. The two best scenes feature appearance by some of the best characters of the X-Men world. Wolverine makes a cameo and the writers did well explaining his intense love for Jean. The second features Quicksilver and the Eurhythmics. Sweet dreams ARE made of this.

Fun, exciting and often meta, Apocalypse is one of the better of the X-Men movies. Not as good as the first film or First Class, it never the less stands on its own.

Alice Through the Looking Glass

Tim Burton does not return for this installment but his vision of the world is alive and well. The writing, on the other hand, needs a coffin.

Through the Looking Glass creates its own story instead of taking from the source material. The Mad Hatter is dying and the only way to save him is to find his family; heAlice_Through_Looking_Glass_tea_240516_620_347_100 believes they did not die like he had originally believed. So Alice, fresh off a sea voyage and looking at disaster in her personal life, descends deep into imagination and time to save him. She must steal the Chrono Sphere from Time to find out what really happened to the Hatter’s family.

My first thought was this was supposed to be a movie about Hatter and would let Johnny Depp shine. But The Hatter is not Jack Sparrow, and his entire performance is subpar. As the movie unfolds it seems to be more about the Queens than about Hatter and his family drama. While it was interesting to see how the Queen of Hearts got such big head, the story drags.

The best sequences are those featuring Time. Sacha Baren Cohen is hilarious and great at character acting and he outshines Depp like a supernova. A semi-villain, Time is given only moderate screen time and not enough chances to break up the monotony of the film.

The only other thing that stands out is the Alan Rickman; but don’t get too excited. His butter fly gets two lines at the beginning of the movie. It’s rather sad that this was all there was. I still have not completely mourned for this great and Alice did nothing to help me.

All We Are Are Spectres in the Wind

Explosions, car chases and gun fights are a plenty as Bond slays an octopus and saves the word. Spectre is a fun ride with a succinct focus that tidily wraps up the Daniel Craig era.
Bond finds a link to an underground organization after a visit to Mexico city where his destruction makes the national news. This is critical mistake for MI6- the 00 Project is threatening to be disband as MI-6 takes over with a new system that watches everyone 24/7. Bond takes no head when, by the help of Q, he sneaks off toff after being grounded by the newest M. But what they don’t know that the previous M left a clue to her death behind. Bond will stop at nothing to avenge her and get to the bottom of Spectre and its intersection in his life.

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The is what viewers love about bond: foreign beauties, ridiculous stunts, and snappy one liners. But t the iconic lines of James Bond fall from Craig’s mouth like stale bread. It is hard to tell if it is the writing or the acting. Craig’s distaste at ever being Bond again is a good thing. This means we don’t habv to watch him an his route performance. As usual, he shows off his body but does nothing on the acting front. Christopher Waltz is great as the typical over acting villain, and Dave Batista has become this generations Tor Johnson. The true standout performance is Ben Whishaw as Q. He is witty, brave and often the humorous release for the film. Whinshaw is the best casting choice since Dame Judi Dench as M.
The plot is thin and shake which is typical of many of the films and the twist at the end you will have seen coming since early in the film. But it truly doesn’t matter. Bond films are known for the thrilling chase scenes and fights. Add in a shake of humor and the movie continues to entertain.
Happily, writers conclude the stories of the last three films forming a common thread for Craig’s time as Bond. This fourth film ties all of them together. Villains past and present have a story that is wrapped in a nice shine bow connecting some of the weaker movies together. Bond finally comes face to the face to the man he has been truly hunting since Casino Royale ending the latest leg of Bond films.
Walking out of the theater leaves a better taste in Skyfall (even if the theme song doesn’t ,measure up). Viewers and Bond get closure as the franchise looks to the future. Until the studio decides on what is next for fond, Spectre is a nice little meal to tide you over.

A Story with Ghosts in It

Guillermo del Toro’s latest film Crimson Peak has picked up a lot of hype as a horror movie. But what is Chrisom Peak exactly? And how does it stack up to his other works.

Edith was visited by the ghost of her mother as a child and it warned her from Crimson Peak. But that cryptic message becomes less of a concern as she grew into adulthood.  Edith must entertain the advances of her childhood friend Dr. Alana McMichael (Charlie Hunnam) and exotic stranger (Tom Hiddleston) with a bad reputation while being shunned as a female author.  After her father dies, she marries Thomas Sharpe despite his bad reputation. They join his sitter in their decrepitated manor England. Once here, the ghosts come back to warn of betrayal and murder.

crimson-peak-posterThe problem with Crimson Peak is that it’s not scary. I had read that it was supposed to be scary and was highly disappointed. There was some violence and gore but no scares. My friend had to point out that it was more Gothic horror than a traditional horror movie, and I have tried to see it in that light. While it helped my perspective of the story, it did not really help with my enjoyment of the film. Del Toro is a fanboy and all his best work emulates his influences and likes but most add his own touch and makes it his. This is a love song to Gothic horror stories but adds very little new ideas other than some horrific violence.  The movie is basically “The Woman in Black” combined with “The House of Yes.” Taking ideas, atmospheres, and stories from a plethora of sources (Poe, Bronte just to name a few) they are hodgepodged together with little subtlety. The writing treats us like children showing us that they are telling a version of Jane Eyre with Mary Shelley undertones. We have to guess nothing that happens as we know how these stories play out. It reminds you in exposition that it is a romance and it is a story with ghosts in it (seemingly to fight off the mislead advertising for the film). This is insulting to the viewers and lacks the nuance of so many of Del Toro’s past works.

Jessica Chastain steals the movie and too much time is spent on Mia Wasikowska’s naive and inspecting lead character that sees specters. It is Chastain that moves the movie forward, the one that gets to play a smart and fierce woman.  But as her character’s persona denigrates, her performance crescendos. The other actors can’t keep up with her Hiddleston and Hunnam are all passable but not overly inspiring. There characters just seem to be fuel for Chastain’s playground There is only one other character that stands out so some much.crimson-peak-jessica-chastain-hiddelston-mia-wasikowska-00063r

Luckily, like most of this genre, the house becomes a character in itself and all the visuals are stunning. The house looks like other you have seen before but the deterioration and the clay that leaks from the walls and floors like blood are eerily creepy. It is the clay that leads to any kind of f horror turning everything a bloody red. The red snow is insanely creepy and is more than just a metaphor for the horrors taking place inside the house. Alas, not everything is treated with such smart double dimensions.

Unfortunately, adverting by the studio cannot contribute to the issues with the film.  Many reading this will say I am wrong, that it perfectly emulates all the classics. This is also its down fall. We del Toro fans hunger for his next project, to see how he puts himself into things that we love how he brings it into our world. But this movie didn’t do that. So the literature fan in me will subside so the nerd girl within me can start pining for Pacific Rim 2.

The Boys Are Back in Town

The speakers blast the opening beats to “Pony”. It can only be one thing: The summer movie that calls to women and lures them in the theaters with the promise of rock hard abs and nice tushes. It’s Magic Mike back in theaters and this time it’s XXL!

In the previous installment, too much time was spent on a lack luster plot that was forced down the audience throats. We didn’t go for a dramatic movie: we went for a good time. Magic Mike XXL learned from the original’s strengths and weaknesses. The second romp is fun with a few moments of sentiment that will put a smile on your face.

Dallas sells out the boy leaving them stranded on their own before the big stripper convention in Myrtle Beach (is this even a real thing, because well….). Mike sees an opportunity to have some fun and re-galvanize his life. The team (Richie, Ken, Tarzan, Tito, and Tobias) set out in a food truck once the prodigal son returns for their last performance. But the ride isn’t that easy. Drag queens, drugs, and girls set the boys off the beaten path as they struggle to find a new MC and some new routines to go out in a “tsunami of dollar bills.”

This movie is pure fun with laughs abound. The plot centers around the Kings of Tampa themselves and not just on Mike and his an unworthy protege. Instead its a buddy movie focusing on the male entertainers themselves. Joe Manganiello kills it as Richie who becomes a de facto leader for the team and has some of the best one liners. He also has one of the best dance sequences in the entire movie.

There are a few moments of tenderness which reminds everyone why women seek out male entertainers. We want to be reminded that we are wanted, that we are beautiful. In the most touching (and one of the few dramatic scenes in the film), Matt Bomber’s Ken breaks out the Bryan Adams to serenade a middle aged Southern Belle reminding her that she is worth love and to have her fantasies come true.magic_mike_joe_manganiello.0

The other thing the movie does well is bringing in strong women. Jada Pinkett Smith is Rome, a feisty
and feminine strip club owner who rules every scene she’s in. Amer Heard plays the scorned photographer who just needs her smile back. And Elizabeth Banks, well, she’s just spectacular. These character balance out the testosterone and proves male entertainment isn’t an all boys club.

What does it do wrong? Well, the plot is as thin as the men’s thongs but its those thongs we came to see. Will it when the actors any acting awards? No, but someone needs to give these boys kudos for their dancing moves. This movie is pure movie escapism.

Magic Mike helps level the playing field when it comes to female sexuality. Forget 50 Shades of Grey where women have to submit to be sexy. These men remind we are beautiful just the way we are and that we should embrace to our sexuality (and those one dollar bills). Hate it if you must, but Magic Mike XXL is great summer movie fun.

As Is Often the Case, Dinosaurs Run Amok

Jurassic World is about being bigger and better. The new park has bigger attractions, bigger dinosaurs, bigger scares. But, as in the spirit of the first film, we learn that bigger doesn’t necessary mean better especially where nature is concerned. Ironically, the script doesn’t understand that lesson. The film tries to out do the original but fails in an entertaining manner.

Over twenty years later, Jurassic World has learned from previous mistakes, designing a new park sparing no expense for awed crows. Claire (played but a surprisingly one dimension Bryce Dallas Howard) helps run the park but has no time for her own family. When her nephews come for vacation, she quickly passes them off to her assistant. She is more concerned with their new dinosaur Indominuscb26e9d8-8468-430b-9503-86ed2d62d9d4

rex who was created from a variety of dinosaur and animal DNA.. The park owner wants hot shot trainer Owen to approve the pen she is kept in. But he arrives too late as Indominus rex terrorizes the park, and Claire’s nephews are lost in the struggle.

If this plot sound familiar you are right. The movie mimics (I hate to say steals) scenes from the original film trying to out do them. From trying to eat children through vehicles to having a greedy scientist try to make off with DNA, the movie fails to exude the terror for the original. Ironically, the film is at its best when it waxes nostalgia. Those first moments you hear the theme song your heart swells. When the boys find the old visitors center an steal a jeep. These feel like the homage the movie should be making.

As a movie on its own, it’s easier to enjoy. There are a few moments of pure terror. As before, it’s hightened when the raptors are let loose. Their ability to think makes them terribly scary and the movie does well using this terror. But director Colin Trevorrow really falls flat when working with the cast. He must have asked Chris Pratt to not be Starlord because Pratt’s performance is stilted which is odd because Owen is the same kind of character as Starlord. Pratt needed a longer leash to truly become the character. This could have helped Howard as the two didn’t play off each other well and chemistry was being forced on them (and the audience.)

Over all the movie is entertaining, but it makes a mistakes in trying to surpass its predecessor. It should have happy just surpassing The Lost World (which proves that even if Michael Crichton was still alive, the plot would not have been much better). Funny at times, frightening at times, Jurassic World leaves you with a “what if…” taste in your mouth.

How Women Defeat Themselves at the Movies

There has been much jaw flapping and anger as of late in regards to the treatment of women in films. Avenger’s director Joss Whedon left Twitter among the complaints about the film’s treatment of Black Widow. But are these arguments justified? Aren’t there other movies that are even more of a farce in regards to feminism? The answers are: No; Yes.

Let’s take a minute to look at The Avengers: Age of Ultron. In the sequel to the comic book based mega production, Tony Stark accidently creates Ultron, an AI that is intent on killing every human on the planet. The Avengers assemble to defeat this great evil. But along the way, much needed character development is introduced and our superheroes stop being one dimensional stereo-types. Thor shows real fear, Cap starts to adapt to his surrounding, and Black Widow and Hawkeye delve into the world of personal relationships. (Stop here if you’re avoiding spoilers).Avengers-Age-of-Ultron-Black-Widow-and-Hulk

It seems that Black Widow having a real conversation about not being able to have children is unfeminist and liking children as a women is unfeminist. I thought it was a great way to round out a character who is tough as nails: having a real conversation with her relationship partner about what may or may not be in her future. She is not whining or pining or acting like that is her only calling in life, she is having a logical conversation about events that have happened in her life. There are other examples against Black Widow, and the movie as a whole, but I would like to make another point.

I know that Black Widow is not a perfect character. Like so many comic women she is over sexualized (and really if she would wear less tight pants she could run faster). These are not faults of Whedon but with the way women are perceived in comic book and Hollywood culture. It’s especially infuriating when women perpetuate it.

I saw Hot Pursuit and came out steaming mad. The movie wasn’t very good but that wasn’t what angered me so much. It was the outright stereotyping of women that had been crying out about after Ultron, but no one was saying anything about it in this movie.

Hot PursuitHot Pursuit tries to flip the usually male-centered cop and detainee story by casting Reese Witherspoon and Sophia Vergara as the stars. Like so many of these stories, a cop is in charge of a member of witness protection but things go south and the two must go on the lam. Include bad cops, rednecks in trucks, and thousands of shots of Vergara’s butt and that is the entirety of the movie’s plot.

The movie is one giant cliché. Weatherspoon plays Cooper who is trying to make it in a man’s world and jokes fly about how girly she is not. There are jokes about her height, her hair and her fashion. Vegara’s character is nothing but the caricatured mamacita with no depth or realism. In the first fourth of the movie, Vergara wears a dress whose top looks just like one of my bras! The movie goes over the top with menstrual jokes and the awkward and creepy romantic relationship Cooper pursues. There was no way Cooper could stay single huh? That was the ultimate make-over for the character: dress in high heels and get a boyfriend.

I shouldn’t have to say that these flaws were at the very heart of the Ultron criticism expect that this movie was directed and produced by women. This was one of Witherspoon’s pet projects. She or director Anne Fletcher could have stood up at any point and say when things went over the line, or could have agreed not to do it at all. This is when feminism is defeated, when women defeat themselves.

So we ask ourselves do we want our females is low cut tops and kicking ass or in see-through dresses making out with each other? The answer: neither, but I will take the girl who is kick ass and rounded as character any day.

The Insurgents Go Factionless

It is always hard to be objective when a literary story is adapted for the big screen. Fans long for certain scenes or are unhappy with certain casting and these opinions can skew a movie. Insurgent is just the next in a long line of adaptations that leave book readers wanting a little more.

download (1)The second entry in the Divergent trilogy comes to life with great force and action. Tris and the other refugees have fled Dauntless and have taken shelter in neighboring factions. Tris, Four and Peter take respite in Amity but peace does not last long as Eric sniffs the fugitives out. The two must meet up with their friends hiding in Candor, but along the way they cross path with the factionless and find out the hidden truth about their leader. Tris must keep fighting in order to cross paths with Jeannie and take her out.

As a book reader, (SPOILERS) there are aspects from the books that I really miss. I feel like these cuts impact the story in negative ways. Viewers do not get the truth about Amity and what is really going on there. Amity seems to be a central theme of reduced material. In fact, in the books, Tris’ defining moment as Amity is when she keeps Tori from killing Jeannie; a more poignant reaction that=n movie portrays.

Removing myself from the material, it is easy to see how this movie would entertain its core audience. The action is candor-insurgentcontinuous and keeps viewers on their toes. But critically, the story fails at real emotion. Tris’ emotions are presented in stereotypical scenes and are very one dimensional. By focusing solely on the action, the character development falls flat.

I also missed Ellie Goulding’s music and vocals. Goulding’s music was used as Tris’ inner dialogue in Divergent and made the emotional aspects of the scenes multidimensional. It truly added a lot to the first movie. Instead, the music is insipid and uninspired. (Forgive my Ellie Goulding bias those that know me.)

Insurgent is thrilling and fun for audience though book fans may be disappointed. While these are not the Hunger Games, these Factions are just as dangerous.