Aging action stars are all the rage in Hollywood right now. But how do dramatic Hollywood stars stack up?
A Movie to Kill
Director McG stays in his favorite genre: spies. Three Days to Kill attempts to add a real storyline to a shoot ‘em up but adds too much cheese for the movie to stand on its own.
Kevin Costner is Ethan Kenner a CIA operative who opts out after he finds out he has brain cancer. He heads to Paris to spend time with his estranged wife and daughter before he dies. But he is brought back into the fold to catch a terrorist only he has seen. When he is promised a magic experimental drub as payment, he can’t turn down.
The cast is a problem. Though I give Costner more credit for this role, he’s not the one that brings the movie down the most. Hailee Steinfeld gets staring credit but her portrayal of a teenage girl is truly one dimensional and stale. Though she has more emotion in 3 Days to Kill than she did in Ender’s Game, she does have the natural talent her Ender Counterpart Abigail Breslin had at an early age. Connie Nielsen as the wife was terrible and, like the daughter, the poorly written and relying on making the mother a nag. The movie does not even use its best character to her best ability. Vivi (played by the fierce Amber Heard) is negated to small roles egging Costner’s character to do her bidding without much explanation.
The movie tries to become a family oriented film but cliché after cliché bogs it down. He teaches his daughter to ride a bicycle, he teaches her to dance, the ex-wife gives in and sleeps with him, and more. The only saving grace in the humor that peppers the movie bringing enjoyment in the dullest or most sappy moments. Luc Besson is often a genius but his basic story is lost in the sap and I want to blame Adi Hasak for that, but I’m sure I can.
Liam Neeson has turned into an action star. Many complain that he shouldn’t be. But he is and will continue to be a bad ass. Though critics have a point, he seemed like the least likely action star candidate, he does well with the persona and is always himself. We love to watch him kick ass.
Non-Stop seems very out there, but it puts itself together well. An Air Marshal must find out who is killing a passenger every twenty minutes. But things get more complicated as things turn against him. His past and life as an alcoholic works against him as staff and passengers turn against him. But Bill never gives up intent on saving those on the plan.
Non-Stop doesn’t stop. The plot is always twining keeping the audience on its toes. What you think you know you don’t. And while the reasons behind the terrorist attack are lame, the actual process is gripping and exciting. You never know who to trust, even questioning the “hero” himself.
Bottom Line: Non-Stop is one if just plain fun (no pun intended). It’s soars over 3 Days to Kill focusing on action and not family feel good cheese.