Tom Hardy is the king of films. He easily moves between block buster and independent movies trying new things and taking roles that interest him. He doesn’t play the Hollywood games but still managed to get nominated for an Academy Award. Hardy is more than just a pretty face or some eccentric that other actors shun; he is amazingly talented and incredibly versatile.
Legend is a crime thriller based on the lives of the Kray twins and their organized crime in East London during the 50’s and 60’s.Told in the voice of Frances Shea, who would become Reggie’s wife, the movie chronicles their relationship, the relationship of the two brothers, and the many crimes the twins commit.
He has played comic book characters, battled a dystopian future without much dialogue, and proved that you can enjoy a movie featuring just one man driving a car. Often the movies themselves cannot live up to Hardy’s performance but they are worth viewing to watch this amazing man sharpen his craft. Legend may only skim the surface of the plot, but Hardy dives deep into these characters proving that he is a master of his craft. Both of his twins are very different and you almost wouldn’t believe they were the same person. They had their own voice, their own walk and their own way to reacting to others.
Unfortunately, this is one of the movies doesn’t live up to his performance. Like Child 44 and The Regnant, these films fail in their story telling and Hardy is the best part of the movie (except for The Reverent; the cinematography gives Hardy a run for his money). Legend doesn’t delve deep into the Kray brother. It seems to gloss over their emotions and true motivations. The majority of characters fall flat as they aren’t written with enough depth for the actors to work with these actors include the Doctor himself Chris Eccleston and the up and coming Taron Egerton). The Twin’s story seems to be a truly thought provoking story but the script only skitters across the surface.
If you are renting a Tom Hardy movie this weekend, I encourage you to go The Drop, probably Hardy’s most underrated movie.