This latest book adaption is great fun and a classic Tim Burton piece. I had wanted to read Miss Peregrine’s Home for Peculiar Children by Ransom Riggs since I hear of it. I read the first two chapters and then promptly lost it; I was so sad! So I am unable to tell you how close it is to the book. But that’s fine because I love this whimsical film in its own right.
After Jake’s grandfather dies, he discovers clues to a mystery that spans space and time. Following an address from a post card sent to his grandfather, Jake finds Miss Peregrine and her Home for Peculiar Children. As he learns about the residents and their unusual abilities, he also learns about the dark side of being peculiar. His friends are trapped in a time loop to keep them safe from the Hallows, a malicious enemy who kills peculiars for everlasting humanity. Jake is the key to their survival but can he make the sacrifices required of him?
The story follows the children with the titular Peregrine taking a back seat to their story. This is a coming of age tale about a group of children who never age. Asa Butterfield manages to make Jake a real person (so much more than he ever did for Ender but that’s another thing entirely). Ella Purnell with gorgeous Targaryen hair leads the group with love and respect as best an older sister good. But this doesn’t mean the adults don’t make their mark. Eva Green, Samuel Jackson, Rupert Everett, Judi Dench, Allison Janey and Terence Stamp all add to the world with character with characters as varied and unusual as the children. In fact, I have decided that Jackson does his best work as a villain.
The film is classic Burton. Dark but funny. Serious but sweet. HIs as his signature style wraps around the peculiar children and their world. His visual palate is perfect partner for the world based on trick and creepy photography. The films deliver exactly what I had imagined from reading the two chapters of the book.
Miss Peregrine’s Home for Peculiar Children is classic Burton and deserves a spot in your DVD collection. It’s a fantastical story that will be fun to relive over and over.
Last year two White House terrorist movies were released. As far as quality movies go, Olympus Has Fallen was able to combine humor, action and familial love effortlessly. Brining in a high profile cast, the movie had stronger characters brought to life by a talented cast. Gerard Butler, Aaron Eckhart, Ashley Judd, Angela Basset, and to round things out Morgan Freeman gave life to the terrorist crisis. Director Antoine Fugua was able to focus on the action while mixing in emotions and humor without losing sight of the film’s plot. Exciting, engaging, and entertaining Olympus Has Fallen has gotten a sequel to take place in London. Here’s hoping the team can recreate that same style.
White House Down
While it had a bigger gross at the box office (and a way bigger budget), White House Down falls short at fulfilling its scope in an emotional and exciting way. One of the biggest problems is that Channing Tatum is not a good actor. He’s good looking (I’d watch him in Magic Mike all day long) but he is not a quality actor. The movie also meanders along and it’s quite sure where it is going and when to end. It’s heavy on the FX and that is what really steals the show. Like so many Roland Emmerich movies, this one looks good but fails at being a quality film.
300 took a graphic novel and made an inspiring underdog story and entertaining film. It didn’t focuses on gore, and Zack Snyder gave it a distinctive color palate to help mimic the look of a graphic novel. Mostly unknown Gerard Butler showed us he could be an action hero and Olympus Has Fallen continues to show that. Rounded out with Lena Headey and Dominic West, the movie’s cast captures the emotion of the characters without being sappy. Well thought out and smart, the film stands on its own merits—even if it isn’t very factual.
300: Rise of an Empire
The problem with this sequel is that it is a spectacle movie. Rise of an Empire is not about the story, it’s not about the character; it’s about getting your attention with blood, gore and nudity. Director Noam Murro tries to outdo himself adding in special filtering techniques and using slow motion way too often. Unlike the first film, it’s not a story of an underdog to inspire the ages. It just wants to push the envelope. Sorry it takes more than Eva Green’s breasts to entertain me.
300 was an interesting movie. Zack Snyder did a fun color palate keeping true to the stories comic book origins and told an inspirational story about the Spartan people. Rise of an Empire is completely the opposite of the first movie with negative results.
The plot to the sequel follows Xerxes’ naval admiral as she tries to conquer Greece. Artemisia attacks at roughly the same time as the Spartans’ 300 stood against Xerxes. The story flashes back to tell the story of how Xerxes become the god king and why conquering Greece is in his blood. He sends Artemisia against the hero Themistocles who killed his father. Themistocles and Artemisia fight at sea blooding the water of Greece.
The first problem is that, like Avatar, too much time was spent on the cosmetic aspects of the film while negating the quality of the story. This might be acceptable if, in like Avatar, the movie looked was gorgeous but Rise of an Empire is over blown and often times uncomfortable. The movie has a surrealist look which is true of this movie. But Rise of an Empire goes too far. The movie is dark and grey contrasting uncomfortably with the light from the sun. Instead of being realistic, this glare makes you squint for most of the movie.
The script relies too much on violence and sex to fuel the film. The nature of the movies is violent but the original was minimal on the gore. This one amps up the gore slowing down every injury and CGing massive amounts of gooey blood. And while there was sex in the first one, it propelled the story, truly making Gorgo fierce. When the hero and the villain rip off their clothes in the middle of peace negotiations and ram into each other, it’s pointless and disturbing. The producers just wanted a reason to show Eva Green’s breasts.
The script also fails to integrate the three stories it tries to tell. The films features characters from the first movie, including the Queen and the hunchback, but these roles are small and often forced into the plot. Even Xerxes takes a back seat even though the movie spends a good chunk of time on his back story. One of the biggest roads blocks is the fact that they could not convince Gerard Butler to return. When questioned on why he didn’t return, Butler’s responses have been short and vague. I suspect he may have read the script and declined.
300: Rise of an Empire fails to live up to the quality of its predecessor. The plot suffers from lack clarity and energy from the first movie while upping the gore. Ina nut shell, this movie is a three year old screaming “look at me!”