Playing with Time

Doctor Strange

Marvel continues to add characters to its ever growing character pool. But Doctor Strange reaches past space, and reality and pulls in something spiritual.

Stephen Strange is annoying jerk who is a genius with medical injuries. When his arrogance break his body he must find a way to return to level of perfection he once was. He travels vast distances thinking he will be magically healed but he learns from The Ancient One about how to manipulate space and reality. Strange starts to see that is an integral part into the survival of humanity especially when a former students steals spells about affecting time, the only taboo to these people have. Along with the few survivors of his dojo, he must save the world from being absorbed into a dark dimensions.tilda-swinton-benedict-cumberbatch

Doctor Strange is a lot like Deadpool in the fact that it is highly overrated by critics. It has a decent story but it fails to really delve into any true motivations and character development. While Benedict Cumberbatch plays a great intellectual, he is no action hero. The movie works because The Ancient One, played marvelously by Tilda Swinton kicks, major ass and is truly the action star of the film. Mads Mikkelsen works well with the action but he can’t keep his accent straight. I’m not sure why they didn’t just let him speak in his normal voice.

Doctor Strange is up in your face about changing time and realities. Critics love these overly CGI sequences saying it’s visually beautiful. But halfway into the movie, it spends more time trying to dazzle us with CGI instead of the story. It starts to do what I had feared Inception would do by letting special effects over take the story. The good news is that by the end, sequences start to find a good balance between spectral and meaning. Strange ends strong after a sagging middle.

Strange adds a metaphysical layer to the Marvel universe but it needs tweaking to truly break unto the cerebral.

 

 

 

 Arrival

 Arrival is cerebral and doesn’t depend on the typical alien bang, bang shot ’em up to carry the story. It’s the actual idea of using an alien language to communicate with the aliens that propels the story

Louise Banks (Amy Adams) lives alone with wine and memories but when an alien spacecraft lands, she is asked to help unravel the mystery of their language. With the help of a team of scientist including Ian Donnely (Jeremy Renner), she must decode the alien’s purpose for coming to Earth. Their language is not like the human language at all so the team must not only translate the language they must learn the vocabulary all while world military leaders breathe down their neck.

arrival-mit-jeremy-renner-und-amy-adamsArrival is more subtle with its time manipulation than Doctor Strange. Louise is lost in her own personal time loop and each memory she recalls has direct connection with something said or done in the present. By the end of the movie, each scene makes sense and is it tied (almost) neatly with a bow. Plus the conclusion packs an emotional wallop.

Arrival also acts as a modern day fable about global community. The movie looks at the violence and fear that breaks out when countries start keeping scientific knowledge from each other. The answer lies in working together to solve, not just the mystery of the aliens, but also the issue that plaque humanity.

Arrival is well written, well directed and well acted. It’s a quality movie film that makes you think and gets your emotions flowing.

Home Away From Home

This latest book adaption is great fun and a classic Tim Burton piece. I had wanted to read Miss Peregrine’s Home for Peculiar Children  by Ransom Riggs since I hear of it. I read the first two chapters and then promptly lost it; I was so sad! So I am unable to tell you how close it is to the book. But that’s fine because I love this whimsical film in its own right.

After Jake’s grandfather dies, he discovers clues to a mystery that spans space and time. Following an address from a post card sent to his grandfather, Jake finds Miss Peregrine and her Home for Peculiar Children. As he learns about the residents and their unusual abilities, he also learns about the dark side of being peculiar. His friends are trapped in a time loop to keep them safe from the Hallows, a malicious enemy who kills peculiars for everlasting humanity. Jake is the key to their survival but can he make the sacrifices required of him?1280_miss_peregrines_home_for_peculiar_children_eva_green

The story follows the children with the titular Peregrine taking a back seat to their story. This is a coming of age tale about a group of children who never age. Asa Butterfield manages to make Jake a real person (so much more than he ever did for Ender but that’s another thing entirely). Ella Purnell with gorgeous Targaryen hair leads the group with love and respect as best an older sister good. But this doesn’t mean the adults don’t make their mark. Eva Green, Samuel Jackson, Rupert Everett, Judi Dench, Allison Janey and Terence Stamp all add to the world with character with characters as varied and unusual as the children. In fact, I have decided that Jackson does his best work as a villain.

The film is classic Burton. Dark but funny. Serious but sweet. HIs as his signature style wraps around the peculiar children and their world. His visual palate is perfect partner for the world based on trick and creepy photography. The films deliver exactly what I had imagined from reading the two chapters of the book.

Miss Peregrine’s Home for Peculiar Children is classic Burton and deserves a spot in your DVD collection. It’s a fantastical story that will be fun to relive over and over.

An Atypical Thriller

Movies featuring special needs characters always end up being tear jerkers. It’s rare to find a feel good or even a thriller that deals with people who are non-typical. When these characters are in movies like this they are usually secondary and stereotypically and overly dramatic versions of what people with these issues really are like. The Accountant does a great job integrating someone who is different and enmeshing them in a thrilling fantasy world.

the-accountant-5Christian Wolf (and his plethora of aliases) was diagnosed with autism at a young age back at a time where society was even less accepting of those that were different. His mother wants to do everything to help her son succeed life but his father sees his son’s issues as weakness. As his father tries to eradicate these weaknesses by putting Christian and his brother through a variety of trials that will affect them the rest of their lives, his mother leaves the family because of the lack of help for her son. Christian is now an accountant using his talent for math and organization to have a semblance of a normal life. But he hides his true work like he hides his autism negating his work with mob bosses and drug cartels to the background and keeping his head down. That is until he goes to work for Lamar Black and uncovers a money laundering scheme that puts himself and his coworkers in danger. Christian uses his certain set of skills to protect her and solve the puzzle.

I was pleasantly surprised by The Accountant. As someone who has studied and worked in the field of autism for over a decade, I was worried how they would portray the main character and his developmental disorder. Luckily, it seems that the writer, directors and actor were truly aware of what autism entails and how it often manifests. The entire movie was entirely respectful not negating it to an unrealistic role in his life nor over blowing it for dramatic affect. Affleck does a great job with the character and does well portraying a high functioning autistic adult.

The rest of the cast shines as well. Iconic actors such as J.K. Simmons, Jean Smart, Jeffery Tambor and THE ACCOUNTANTJohn Lithgow add powerful depth. While Smart and Tambor have minimal parts, it’s always great to see their face on the big screen. But the best parts of the movie feature Affleck and Jon Bernthal, an up and coming heavy hitter. The two have major chemistry and their interactions are imbued with a variety of emotions. Bernthal is an amazing actor, and I look forward to seeing where his career takes him.

The plot seems farfetched in the trailer but the movie smooths things out nicely. The movie spans Christian’s entire life featuring flashbacks to his youth and the defining moments of his life. It builds a complex story about family and nature vs nurture. Stories that seem to run parallel entwine and most often come full circle. The movie features two promenade twists (only one in which I saw coming early on) that answer any questions that the movie brings up.

Well researched, written, and acted, The Accountant is a fun thriller that changes the way we see movies with nontypicallly developing characters. Now if Affleck would just continue to make these kinds of movies instead of the Batman movies.

 

Me Before You: Another Perspective

A different kind of review from my chronic illness blog

The Spoon Project

As someone with a disability I was not offended by the movie Me Before You. There has been a wave of negatives reviews and propaganda surrounding its release. Many of those with disabilities are outraged but I am not—at all. It, in fact, captured a lot of feeling I have had during my journey. Suicidal actions and suicidal thoughts are huge in our population, and I thought it did a great job of bringing that to the public’s attention. It is not uncommon for people to want to be relieved of the pain and depression that accompanies so many illness and disabilities especially when you have a variety of conditions (co-morbidity is high for chronic illnesses). Many of the people I know who struggle (as well as myself) have thought about during their journeys. This movie brings up a very real and very important issue.

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Summer Movie Swing Part 1

Now You See Me 2

The trailer wasn’t strong for this second installment causing the movie to seem more spectacle than heist, but the film itself it’s actually a pretty good follow-up to its predecessor.

10NOWYOUSEE-master768A year after the original heist, The Horsemen are stalling for time, waiting for the right time to reappear after their original heist (sans one member who they just write off). Atlas is anxious to get back into the world even going behind Dylan’s back to talk to The Eye on his own. He is ecstatic when he receives a new mission: take down Owen Case and his all-seeing technology. But all does not go along their well thought out plan so they must out to trick the men who first tricked them.

The trailer captured some the biggest showy moments but the movie is more than just spectacle. There is character growth as each character shows them to be human and not just show men. The plot delves into the back story of Dylan, the almost mythical character that helps the team in the first film. The audience learns why magic is so important to him and his involvement with The Eye

The humor adds a great layer keeping things from becoming melodramatic. These moments are some of the best as tension is relieved through this humor for a great balance in mood. It’s a fun movie and worth the ticket price.

The Conjuring 2

Movies like The Conjuring intrigue me. I like things that are based on actual events but they often disappoint because the movies embellish. I have found that real life if often more scary than the clichés used in horror films. While the first movie was enjoyable, the second movie tries to up the ante but really just makes a spectacle of it.

In England, a girl is possessed by a ghost of a man that died at their home. Levitationhttps-%2F%2Fblueprint-api-production.s3.amazonaws.com%2Fuploads%2Fstory%2Fthumbnail%2F12071%2FThe-Conjuring-2, teleportation and telekinetic events terrorize the poor family. The Warrens are called in to investigate before the church will perform an exorcism. But Lorraine brings personal baggage into the case keeping answers veiled.

The Conjuring isn’t scary unless you are awake at two in the clock in the morning and are envisioning the nun’s face next to yours. The movie depends on clichés of scary faces, creepy voices, and standard horror fare. While it is not gory (a plus), there isn’t much to distinguish this movie from the many that have come before it. While the first one kept afloat by great casting, this installment does not; it feels like a B movie peddled by Hollywood.

The one thing I did enjoy was the way the writers spun the Amityville Horror and the Enfield Poltergeist. T used hey used Lorraine to explain the portion of the cases that were documented hoaxes .The movie uses Lorraine’s personal issues with a spirit to explain why she feels the spirit is at both places. This allows the Warrens to have some credibility after backing the mockery that was Amityville. (While I know Amityville was faked as a publicity stunt, there is still a picture that was taken in that house that haunts me. I’m sure there are emotions from the family murder that hang in the air at that house.) But otherwise this movie is a dud.

X-Men Apocalypse

The third in the story of the younger X-men turns out to be a lot better than was anticipated. Overshadowing and making fun of X-Men 3, this story follows ten years after the events portrayed in Days of Future Past. Mystique is now a hero, Magneto has a family and Xavier’s school is full of students. But when the First Mutant is revived, the world changes for all whether on the side of good or evil.

x-men-apocalypseThe movie does have some problems. The love story of Scott and Jean is shoved down our throats from the beginning. Its makes the love story artificial and staged. The movie also depends too much on the two starlets who producers consider hot right now. Jennifer Lawrence is a great actress but her character has evolved from the comics to make her a central character only because Lawrence won an Oscar and draws in crowds. The tale of her and Erick is repeated over and over, and it’s boring. The addition of Sophie Turner does nothing for the movie. High off her role as an annoying (but now fan loved) Sansa Stark, she is cast as Jean Grey but brings nothing to the characters and gives the same stilted performance she gives in Game of Thrones. The movie finally remembers that it the relationship between Erik and Xavier that truly propel these line of stories and that’s where the best acting and most interesting arcs lie.

But there are a lot of things the film gets right including the relationship between Xavier and Moira, and Erik’s desire to be a normal person. The two best scenes feature appearance by some of the best characters of the X-Men world. Wolverine makes a cameo and the writers did well explaining his intense love for Jean. The second features Quicksilver and the Eurhythmics. Sweet dreams ARE made of this.

Fun, exciting and often meta, Apocalypse is one of the better of the X-Men movies. Not as good as the first film or First Class, it never the less stands on its own.

Alice Through the Looking Glass

Tim Burton does not return for this installment but his vision of the world is alive and well. The writing, on the other hand, needs a coffin.

Through the Looking Glass creates its own story instead of taking from the source material. The Mad Hatter is dying and the only way to save him is to find his family; heAlice_Through_Looking_Glass_tea_240516_620_347_100 believes they did not die like he had originally believed. So Alice, fresh off a sea voyage and looking at disaster in her personal life, descends deep into imagination and time to save him. She must steal the Chrono Sphere from Time to find out what really happened to the Hatter’s family.

My first thought was this was supposed to be a movie about Hatter and would let Johnny Depp shine. But The Hatter is not Jack Sparrow, and his entire performance is subpar. As the movie unfolds it seems to be more about the Queens than about Hatter and his family drama. While it was interesting to see how the Queen of Hearts got such big head, the story drags.

The best sequences are those featuring Time. Sacha Baren Cohen is hilarious and great at character acting and he outshines Depp like a supernova. A semi-villain, Time is given only moderate screen time and not enough chances to break up the monotony of the film.

The only other thing that stands out is the Alan Rickman; but don’t get too excited. His butter fly gets two lines at the beginning of the movie. It’s rather sad that this was all there was. I still have not completely mourned for this great and Alice did nothing to help me.

This Means War

With superheroes on the rise thanks to the Marvel Universe of characters (whether it be Marvel Studios, Sony or Fox), the DC characters have struggled to gain a modern foothold unless, of course, your name is Batman. DC tried to revive Superman, a character loved and who really took of for modern audience with Christopher Reeve. But the time has come for them to raise their character troupe the movie graveyard and kicking it off is Batman vs Superman: Dawn of Justice.

After Christopher Nolan’s Batman the world seemed ripe for more characters Superman came back played by the fabulous Henry Cavil but the movie was all melodrama with a couple of invincible people throwing each other around. Back at Marvel, Ironman and Captain America were taking off. The Hulk wasn’t doing it’s best but their was promise in the character. Then there was Thor. Marvel brought them all together plus a few fresh faces for their mega comic assemble The Avengers. The an insane amount of money was generated and a plethora of characters got their own movies. Even Guardian of the Galaxy blew everyone away. Marvel was on top. DC knew they could cash in too and decided, instead of a new Superman movie, they would give set up for Justice league. But they didn’t really take the time for quality especially with the Marvel superhero vs superhero war coming soon.

Dawn of Justice introduces us to a mediocre Ben Affleck as Batman setting up for this to be Batman-v-Superman-Dawn-of-Justice-Trailer-Screenshot-Henry-Cavill-Courtroomhis movie as he goes over his past and sees his future. Meanwhile, Superman is saving Lois Lane again and people die from the fallout. The public is enraged. Clark Kent can’t even balance out all the negative spin at The Daily Planet, but he is more concerned with a vigilante bat that is branding those he captures. As the two men find out who their alter egos really are, they end up going to war over their personal brands of justice while Lex Luther is terrorizing the world and egging them on.

The Avengers are dealing with a similar issue. They are coming under government scrutiny for the damage and destruction and death that follows their latest missions (including the events from Age of Ultron). They are faced with a choice Sign the Sokovia Accords and live by the government rules or retire their capes. Tony Stark leads the side that wants to sign the accords; he saw in Age of Ultron what damage his power can really do. But Captain America can’t shake his past and continues to fight for freedom-especially those of super heroes and his friends. Essentially the fight starts over Bucky, but runs deeper into the philosophical ideas of right and wrong and the two sides ultimately fight for the things they believe in.

Civil War’s only real issue is that the villain is horribly weak. Zemo’s reasoning is nothing and makes little sense but when you look back at it. With all the superheroes clashing, it was a good idea to take back the villain. Whereas in BVS it took a big villain to bring them together, for Civil War the villain took a back seat to the ideology that both movies were trying to portray.

There is character depth to Civil War that Dawn of Justice just doesn’t have. While both untitledmillionaires in high tech suits throw big baby fits, at least Tony Stark’s breakdown makes some modicum of sense. He stays very logical until the end when his emotions take over changing his and Cap’s relationship irreparably. Batman, on the other hand, deduced that Superman is bad because people have died when he has foiled plots. There is not a personal reason other than one of his employees died during the events of Man of Steel. So he goes off on a tangent and decides to be judge and jury for Superman. ( This coming from a man who brands the criminals he captures.)

Dawn of Justice does not live up to the hype. The excited teasers don’t even take place in the current story but are visions that Batman sees of the “future”. There is never any explanation as to why he sees these things. Some would say these were the reasoning behind Batman’s baby fit but nothing is clear. While future movies may make these things clear, it’s not very good writing if the movie can not stand on its own. Civil War, on the other hand, is a complete story that will have ramifications on the future without using confusing tools of past and future. Civil War depends on the characters to move the story forward and then those emotions are channeled into the epic battle scenes.

Civil War shows the grey areas of right and wrong while Dawn of Justice assaults the senses but not the brain.

Marvel easily does the best job portraying what happens when superheros have conflict. . The reasoning is better and you see passions rise. Each side thinks they are doing the right thing and viewers can see both sides. Dawn of Justice is not thought provoking and the movie is movie is highly polarized It’s no wonder that Marcel is still on top; DC is still nothing but a cheap imitation.

What This Not That

Gerard Butler~Now

Watch This…

London Has Fallen

London_Has_Fallen-600x321London Has Fallen is the sequel to 2013’s Olympus has Fallen, a witty action flick. Butler is a pretty awesome action star and has found a niche in being a bad ass. Movies like the Fallen series are perfect for his rugged charm and handsomeness. London has Fallen is a fun trill ride that allows you to escape from reality.

In this sequel, Banning is preparing for the birth of his baby, but his time off is interrupted by the death of the British Prime Minister. The president (Aaron Eckhart) is obliged to attend the funeral as well as some of the biggest political rulers of the modern world. Sounds too good for a terrorist to pass up doesn’t it? In fact, this has been staged and planned to a “T”. But there is one ripple in their plan: Banning.

Fallen is good because of several things, the first being that the movies take the characters on emotional roller coasters and leave them no time to be stale and static. Those are also two words that cannot be used for the movie. The movie continues to pack thrilling punch after punch with little time to rebound. Sprinkled humor and a great relationship between the main characters inject moments of respite from the onslaught of violence (they seem to be channeling Taken at this point). Do I care if it’s realistic? No, because action movies are meant as an escape.

There is a huge fault in the movie that does have to do with bad character development. Angel Basset continues her role as the head of the Secret Service but she shrinks from her former bad ass role. When the attacks on London starts, the writers turns her into a sniveling woman who has apparently forgotten how to shoot a gun. This is disgraceful to the character and to Basset.

London Has Fallen is thrilling fun like it’s predecessor. So grab some pop corn and get your ass in the theater.

…Not That

Gods of Egypt

Gods-of-egypt-summitIn the trailers, Gods of Egypt looks gods awful. It’s that kind of awful you can’t look away from. But the movie is surprising better than I thought. That is not to say it was good. It wasn’t good and it wasn’t bad. In fact, it reminded me of all the B movies of old that used stop motion. The movie looks good but has no substance.

The story follows Horus’s rise to power and destruction after his father passes Horus the throne. But uncle Set is angry at being passed over for the crown. In a coupe, he dis-eyes Horus and rules all Egypt This would be the end of the story except some young and stupid kid steals one of Horus’s eyes and in the process gets his girlfriend killed. He makes a deal with Horus: he gets the god the other eye and his girl friend will be brought back from the dead.

Gods of Egypt doesn’t take itself too seriously. That is why I think it attracted actors like Butler and Geoffrey Rush; it was fun to do. And you can tell Butler is living it up. Yelling in his bough as Caucasian as you please. And it seems like Nikolaj Coster-Waldau can never keep all his body parts in tact. The humor helps cover some of the less cohesive parts of the movie (quite a lot of it) leading to a few good laughs.

Over all, this is a rental to pass a stormy evening. Save the money for a ticket for London has Fallen.

The Force is Fit for Fans

n a world where sequels and prequels run rampant, it was as no surprise that Disney would bring back the Star Wars franchise. What was uncertain was the quality of the films would be produced. The Disney brand almost certainly lends to a viable sequel but fans were left with a taste in their mouth after the mediocre prequels from years before. Add J.J. Abrams (someone with good idea but usually ruins them when he executes them) and the trepidation for The Force Awakens was mighty.
While I understand not spoiling the story, I really don’t like not knowing what the story is about and the movie handles that in the first two minutes. Basically Luke has disappeared after a tragedy involving training new Jedi. Han and Leia have drifted apart; Han has gone back so a life of smuggling but Leia is still looking for her brother. Meanwhile, a new crop of heroes join in the pursuit of Luke: Rey, an orphan abandoned on Jakku, Finn a Storm Trooper who defects, and Poe Leia’s best fighter pilot who is instrumental in battle against The First Order. I’ll keep these spoiler free (I’ll save those till the very end past the photos).
The movie pays homage to the original three films. But this becomes one of the few drawbacks. The first fifteen minutes are pretty much recap of things that have been done in the originals. This quickly gets boring but doesn’t last very long. The movie quickly begins to stand on it own while blending past characters with future characters seamlessly. But you can create checklist of things from the originals and play a drinking game with it. A cantina? Take a drink. A villain with a screwy voice? Chug! The only issue is that the end but I won’t discusses it until after the cut.
With a strong story, The Force Awakens looks great. CGI and technology have come along way but it still visually feels like Star Wars. The characters are developed as the movie progresses with out falling back on stereotypes. Abram does not screw this up. This was a fear I had after Star Trek but here he doesn’t stray away from the things original fans loved but made it accessible to a new generation. Luckily, he doesn’t have to back up his work in the sequels; this won’t be like Alias, where after the second season everything went down hill. I thank Disney for this, for there dedication of not ruining the legacy.
If you’ve seen it, then we have SO much to discuss. Skip down to below the pictures and we’ll kick some ideas around. If you haven’t seen the film, move along there is nothing to see here.

HERE BE SPOILERS
Let’s talk that ending. While it was imperative to see Luke, condemning her travel to him into a five minute time span stinks of the issues that plaque the prequels. Plus, Luke never says anything to Rey when she finds him. This is the moment where he should have announced who her parents were. But nothing was learned or benefited by this exchange. The film could have easily ended with her getting the Millennium Falcon and taking off and then cut to Luke watching and waiting for her arrival. While this is a small issue, it could mean that the pacing for the next film will be ruined.
Parentage is a big issue. With Luke being the last Jedi, we knew that Kylo Ren and Rey had to be related to someone. They came right out about Ren to move the story with Han along. But the writers fed you bits and pieces as they went and overly hinted at her being Luke’s daughter. But could this be a red herring? I certainly think so. I believe that she will be another child of Han and Leia’s. Since twins run in the family and the fear of the force going to the Dark Side, it’s not a stretch to think that they separated her from her brother to keep her safe. What proof do we have in the film? There are two notable moments: the first being when Ren take off his helmet and the two share a charged moment. It wasn’t sexually and was more than just the force clashing between them; it was loaded with recognition and importance. Plus, they looked a lot alike. Next, you have Han’s paternal feelings for her. This is odd in the loner and its possible that he doesn’t know that she is that second child. This also repeats themes from the first films which The Force Awakens has done since the opening minutes.
And finally, I should address Han himself. Many people had no idea that he was going to die and have intimated that I had been spoiler spelunking before I went on opening night. This is outright insulting. In fact, I knew because Ford has been talking about it for YEARS. Just by reading interviews with him, I have known his desire for Han’s death and that it would happen this film. ( While, I don’t make fun of people who didn’t figure it would happened, I was pissed that people would throw hate my way.) But I knew this info before I knew that Han would be such a pivotal role in this movie. Han has arguably been the character that was the moving force in the franchise (the only other character we could argue would be the Darth man himself), and he continues to be so in the Force Awakens. I don’t say this to belittle the other characters. But it will affect the upcoming films. We now know that all the characters would show up in the next film (Star Wars often overcomes death, so this won’t be an issue), but what will the films be like without him as a driving force?
I look forward to the next film and am very annoyed that it will be so long before we get the next installment. But that does give us plenty of time to develop our fan theories.

A Cult Classic Returns

More than just nerds rejoiced when news surfaced that Fox was bringing back the X-Files. Fox has done well reviving their best shows including 24, but I don’t think Fox was prepared for the response regarding The X-Files. The premier was scheduled after the NFC Championship and was delayed due to the game but fans came in droves with rating higher than anyone expected. If Fox was trying to kill the The X-Files they failed. The two night premier shows had very little to do with one another and was probably designed just to boost the ratings Fox thought would be miserable. But the fans proved, we still want to believe.
The show starts with Scully and Mulder reconnecting after a crash in their personal relationship. Scully has tried to put the life begin her because she can’t (and never will). Mulder has become even more obsessive over the stories of a government conspiracy involving aliens and the government’s involvement in their experiments. The two come back together when a loc3al web series host bring them to a girl who had been abducted.
Sunday’s show was little more than just a recap of the show fans know and love but, finally, new information about the conspiracy arises and it more notorious than ever thought. The premier polarized the main characters: Scully was a total unbeliever again and Mulder was like a lunatic with his theories. This flashed fans back to the beginning of the series but made no sense with the character development. The writers chose to go back and make their relationship null and void to rework that chemistry and it is getting old. And where was the joke about Scully’s hair? Mulder should would have made one.
The following episode was a “monster of the week” but had someXF_sc7_0067rjw_hires2f link to the overall conspiracy story.
This second episode is more like The X-Files we remember, no longer focusing on catching up new fans. Chris Carter and company were able to get back to what they do best: create creepy stories using the paranormal as metaphors for human fears. Mulder was believable again and Scully seemed genuinely interested in the pursuit of the mystery. The only downside is that the show was more gruesome that it has been in it hey day. The production team upped the gore to keep up with today’s standards (and they didn’t really need to.)
But over all it is exciting to have Scully and Mulder back. The fans never really gave up. They have bided their time with a movie and comic books that even looked at the origin of the The X-Files. No matter their age, it is wonderful to have the show cast and crew back together.

2015 in review

The WordPress.com stats helper monkeys prepared a 2015 annual report for this blog.

Here’s an excerpt:

A New York City subway train holds 1,200 people. This blog was viewed about 3,700 times in 2015. If it were a NYC subway train, it would take about 3 trips to carry that many people.

Click here to see the complete report.