I read I’m Not Dying with You Tonight as part of The Big Library Read. This global book club ensures anyone who wants to read the book club titles can though the digital library for a certain period of time.
This novel is an interesting collaboration; the women , one black and one white, worked together to spin a narrative to encourage discussion about race, police action and our perception of the world.
It’s just another Friday night for Lena. She’ll hit the school football game and then meet up with her older boyfriend. For Campbell, this night is a terror already. She’s been in town six weeks and made no friends and is working at the football concession stand with a bunch of people who aren’t helping. When a fight breaks out, racial relations across the town spiral out of control and these two girls from very different backgrounds must manage to make it out together.
From a literature standpoint, the story seems highly contrived and nothing flows organically. That is because this is a statement book; putting the characters in this position is more important that how it flows. I was disappointed to not understand the town more and see the larger picture of the societal relations. Readers are left with just one perspective to understand why the whole town is on fire.
To be honest, this story is nothing unless you talk about it and that is the authors’ goal. The reader sees racism and stereotypes from both sides. Facing these head on, you see the main characters act on this and then see what ramifications their actions have. The authors, Gilly Segal and Kimberly Jones, leave it up to the reader to understand why these views are held by the characters; they lead no discussion themselves.
The book comes with book club questions. But I challenge readers to go beyond that. As a society we need this mass discussion because once the problems and issues are brought to light we can make changes. And we need change in our society. I hope this book can be one step towards true change.
As a literary tale, I’m Not Dying with You Tonight, isn’t that great. But as a force for change? If people take it seriously, then it can be a great tool.
The Deep is the result of work by many voices. The book written by Rivers Solomon is inspired by the work of clipping. which was inspired by yet someone else’s work. Because editor Navah Wolfe saw a beautiful vision, this multifaceted art project exists.
Yetu is the historian. She holds the memory of the Wajinru, merfolk who evolved from the African slave women who were thrown overboard pregnant. Once a year, Yetu shares these memories, the pain with her tribe; this is The Remembrance. Yet she doesn’t exist outside these memories and this year Yetu makes a choice that will change her own life and the lives of her people.
Click below to listen to The Deep by the clipping. Because this book is so entwined with the song, you cannot truly appreciate what has been done with this novella and how it has beautifully captured (mostly) the themes and moods from the song. This is art within itself.
The novella can easily be broken down into three parts. The first is a lyrical presentation to the characters, the location and their situation. There is beauty in the writing here; Solomon has written their own song. As a reader, go with the rhythm as the plot and story will be explained more in the second section.
The second portion takes Yetu away from the collective and here is where the reader truly understands what the Remembrance is, what it contains and why it is important. The third section wraps up the modern fable but doesn’t pack as much of a punch as the past two sections.
My only true negative issue is that it is too short. Not too short as in I needed more, too short as something huge was given and built and then-Snap!- resolved. The third section crescendos with a flat fall and everything is suddenly and simply fixed. There was no true fallout to the events beyond Yetu and the population, while remembering their past, seemed to forget their present. Maybe this was a way to say there is no simple answer for the real world parallels the book follows but it felt weak on a literary level.
Overall, The Deep is a lyrical, moving, and crosses culturally lines many other novels cannot. This is also multifaceted art. While this book starts from one song, clipping. has created new music based from this book that will be released simultaneously with the book. This brings this project full circle and will touch you emotionally whether you respond more to written or vocalized word.
Publication: November 5 I received a copy from the publisher for review; all opinions are my own.
After I finished the sequel to Widows, I swore I was done with the series. But Lynda La Plante pulled me with a great concept. Dolly has done her time in prison, done good for other and has plans to open a home for foster children. Meanwhile, Shirley Miller brother is plotting revenge for her death. Sadly, the story quickly changes. Dolly gets the raw end ad everything with the brother Mike falls apart. You end up with a heist story that makes no sense and is written poorly.
She’s Out is written like TV where short scenes can convey a lot of info and keep interest. But books can’t just be three lines about what’s going on in one area and then move on to another. We need something to sink our teeth in. This style runs the ending. The heist is sped through quickly and the reader doesn’t have time to soak in what’s going on. It loses any excitement or thrill. The ending is just sad and no way satisfying.
That being said, I enjoyed getting to know the characters. The women aren’t just cookie cutter stereotypes and the author pushes their boundaries. That works well. In fact, it’s the best part. I honesty wanted more for each character that they ever got in the ending.
She’s Out isn’t my style of heist stories but I can see how it good TV when the author originally created the content.
Published: Oct 29 I received an ARC through NetGalley; all opinions are my own.