Tom Hardy has received massive critical acclaim in his newest movie Locke. An indie British flick, Hardy is the only man you see on screen. The movie is thought provoking but lacks the bite it needs.
Locke follows Ivan Locke on his hour and a half drive to London. On that drive Locke decides that he must do the right thing so someone’s life does not end up like his. But as he drives he must deal with the fallout in his life and has to realize how many other lives are on the line. Locke finds that not only his home life but his work life is on the line as well.
It’s clear to see why the critics love Locke. Hardy is a magnificent actors and this real time excursion allows him to showcase his full acting tool box. He easily and believably runs the gamut of emotions and makes viewers feel each one. Because of this the movie leaves you with a visceral feeling as your drive away from the theater (or from your home as the case may be). Viewers truly see how easy it is too lose everything you know; how one mistake can cause you to loose your job, your family. Locke excels at making you think and feel.
What Locke does not do is giving viewers a satisfying ending for a man and his transgressions. Ivan Locke is unlikeable. It’s hard to imagine that he was ever more than he portrays himself in the movie though it is fun to see him move towards a nervous breakdown. But there is no payout. His punishment is too pedestrian to be art and that is what viewers expect from this film.
Hardy walks the fine line of commercial and critical success even though he is not yet a household name. He chooses roles that allow him to fully become the character, but sometimes that isn’t enough Sometimes viewers just need to feel good about a movie.