Vampires are windows to our souls. The fascination with the creatures of the night has always been ingrained in human history and psychology. The stories started with our lack of medical knowledge and what happens to our bodies after we die. Many a poor body was mutilated for fears that they were actually vampires. But as medical knowledge prevailed, we stopped putting stakes in hearts or bricks in mouth to keep the body from rising. Instead, they became an existential study of our selves. Human are drawn to these supernatural tales as a way to come to grips with their own mortality. We have romanticized them right into pop culture.
Jim Jarmusch’s Only Lover Left Alive is a perfect example of using the supernatural to reflect the fears of the natural. The story follows Adam (Tom Hiddleston) and Eve (Tilda Swinton), a husband and wife who truly love each other after centuries together. Eve returns home to despondent and suicidal Adam. He is tired of the world and how the humans treat it. His life is only made more complicated when Eve’s “sister” visits them.
The movie is beautiful allegory for drugs and rock and roll. These vampires are almost hippy like with their vintage music and soul charging highs. A search for the purest source is like that of a true drug aficionado—not just some crack whore. It’s the typical drug story just trapped with vampire edges and dark humor. Chaos and death reign in this world even though Eve and Adam only want to spend their time enjoying the world and each other. But like all drug tales, the source dries up and Adam must come face to face with an inevitable death.
The casting is superb. Hiddleston is so much more than the impish Loki of the Marvel universe. H nails the suicidal rocker on the head giving more depth to a character that could be one sided. His chemistry with Swinton is tight, and Swinton herself is, as always, superb. Mia Wasikowska plays the younger and fickle sister infusing chaos perfectly into the couple’s tiny world. And Anton Yelchin evokes his best Matthew Gray Gubler as Adam’s minion who is a needed source of comic relief.
The only issue with the movie is that Jarmusch wears his symbolism on his sleeve. He forces the use of spinning imagery upon the viewer wasting an endless amount of time with either dancers or spinning records. These sequencing using music are used to drive the story, but it really just slows it down. By the time you get to the end of the movie and a music sequence that was vital to the story, the viewer has lost interest and ready to move on.
Despite of these, Only Lovers Left Alive is a captivating and complex tale mirrors our human emotions in the faces of vampires. If they can find both self-love and romantic love why can’t we? But at what prices do we pay for our lives when we are just seeking out our next high?